![]() ![]() Enright's reflections vary from musings on the absurdities of acronyms like AIDS and CREEP to a consideration of the apparent absence of irony in China.Īlthough irony commonly generates laughter, some have observed that it can be no laughing matter. ![]() Among other themes discussed are the perils of irony unrecognised and irony wrongly presumed the risks run by self-ironists and the questions "Does romantic irony exist?" and "Must irony haveĪ victim? Can it be sweet?". Religion, politics, censorship, love and death are all mined for their rich lode of ironic situations. He goes on to review the use of irony, or what resembles it, in the works of Pope, Dickens, Conrad, Brecht and The author takes a fresh look at irony in the works of Shakespeare, Austen, James, Proust and Freud, and a briefer look at such conspicous practitioners as Swift, Fielding and Hardy. Aiming to pursue personal ironies, both verbal and situational, Enright has observed their twists and turns in his own Enright, acclaimed editor of The Oxford Book of Death, has turned his attention to the practice of irony and its many manifestations in both literature and life. ![]() ![]() Now, in an entertaining and intriguing newīook, D. When Jonathan Swift suggested in 1729, in his pamphlet A Modest Proposal, that the Irish might survive overpopulation if only they could be persuaded to eat their own babies, the Irishman was employing that favorite tool of writers and wits: irony. ![]()
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